Tony Remy - Metamorfollow-G Reviews

Immediately communicative - with Remy once again in an earthy groove, mixing a muscular beat with soulful improvising.
John Watson

Remy's superbly tasty guitar is all over the album.
AW, Straight no Chaser

Remy abseils happily from George Benson smoothness to Hendrix incandescence with style, grace and relish. If brats start bragging about their axe heroes, shut 'em up with this.
Men Magazine

This is a CD with class oozing from every pit and pore of it's surface…a good, solid Jazz album.
Hi-Fi World

As always, he speaks eloquently and elegantly with the guitar.
Mike Bradley. The Times Metro

Tony Remy's Blue Vibe

Of the albums 70-plus minutes, more than an hour is devoted to Remy's inexhaustibly inventive guitar, from blisteringly eloquent 12-bar blues to fierce, punchy funk, bringing to mind not only rock icons such as Hendrix but also later, jazzier players such as Mike Stern and John Schofield.
Chris Parker, The Times

A tremendously versatile player, his style encompasses both the muscularity of Mike Stern and the finely-boned finesse of Phil Upchurch.
Kevin Le Gendre, Jazzwise Magazine

Remy abseils happily from George Benson smoothness to Remy, as we all know, is a superb guitarist. One of Britain's best. The idea of this album, recorded at a hole in the wall in an alley off Denmark Street, decorated to look like what was au naturel in the '50s, was to really get back to basics.
Jazz Express

This is the Tony Remy that I want to hear: greasy and gritty, with none of the edges smoothed down. The songs are sweaty, lengthy blues jams with our man showing that he can stretch out like a true MF.
Kevin Le Gendre, Echoes